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One might call him unique among Finnish composers, a sort of musical dissenter.In his radical early period, Salmenhaara experimented with a variety of composition techniques not yet widely used in Finland, such as aleatorics and playing the piano directly on the strings, as in Suoni successivi (1962) for piano.Leo Samama was on the board of the Royal Concertgebouw Orchestra Amsterdam as the orchestras artistic advisor (1988-1994) and was head of the orchestras artistic department as a delegate of the board (1991-1993).Samama has also been artistic adviser of the Centrum Nederlandse Muziek (1988-1993) (an organisation that promotes Dutch music) and advisor of the broadcasting company NCRV (1992-1994)an Italian composer, organist, choirmaster and teacher.
Louis Institute of Music, where he remained until his death.He gained fame in his time as "the extraordinary Negro", and to 18th century British abolitionists he became a symbol of the humanity of Africans and immorality of the slave tradea French composer of the Renaissance.He was a prolific composer of chansons in the middle of the 16th century, some of which were extremely popular and widely distributed.Sallinen initially wrote orchestral and chamber music, but with Ratsumies (The Horseman) his focus shifted to operateacher and composer whose early works are marked by a broad Russian melodism, with an harmonic structure following the models of Prokofiev and Shostakovich.From 1960 he adopted more advanced techniques, including polyphonyalways a composer of extremes, for a time the most radical Modernist, then a master of ceremonies at 'nursery concerts', sao too in his new style he went to extremes, progressing beyond free-tonality to a sort of neo-tonality or neo-simplicity that is something quite different from 'traditionalism' or a 'return to the past'.
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27 (1915) and other orchestral works, chamber music (Piano quartet op. She settled in Paris in 1982 and has lived there ever since, only a stone's throw away from the famous studios of Ircam, an important base for her careerstudied composition at the Zagreb Music Academy in the class of Professor Kempf, and graduated from Vienna High School of Music and Drama with Erod.